Item #007154 NO ONE CAN DOUBT THAT I HAVE BEEN CORRECTED. - an original printed appearance of this cartoon featuring Winston S. Churchill from the 21 May 1930 edition of the magazine Punch, or The London Charivari. Artist: A. W. Lloyd.

NO ONE CAN DOUBT THAT I HAVE BEEN CORRECTED. - an original printed appearance of this cartoon featuring Winston S. Churchill from the 21 May 1930 edition of the magazine Punch, or The London Charivari

London: Punch, 1930. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles, author of Churchill in Punch (Unicorn Publishing Group, 2022). His book is the first ever effort to definitively catalog, describe, and contextualize all of the many Punch cartoons featuring Churchill.

This cartoon appeared thus on p.578 of the 21 May 1930 issue of Punch and is captioned "Mr. Winston Churchill, in the Debate on the Naval Conference. 'NO ONE CAN DOUBT THAT I HAVE BEEN CORRECTED.'" The artist is A. W. Lloyd. The Naval Conference took place in London in October 1930 to sign an agreement by the U.S., Britain, and other nations limiting naval ship building. On 14 May, Churchill inappropriately read extracts from secret government documents, leaving the House of Commons shocked and aghast. After much turmoil, Churchill apologized.

Punch or The London Charivari began featuring Churchill cartoons in 1900, when his political career was just beginning. That political career would last two thirds of a century, see him occupy Cabinet office during each of the first six decades of the twentieth century, carry him twice to the premiership and, further still, into the annals of history as a preeminent statesman. And throughout that time, Punch satirized Churchill in cartoons – more than 600 of them, the work of more than 50 different artists.

It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations, not just props, like his cigars, siren suits, V-sign, and hats, but also a variety of ancillary avocations and vocations, like polo, painting, brick-laying, and writing. All these were skewered as well.

Some Punch cartoons were laudatory, some critical, and many humorous, like the man himself. Nearly always, Churchill was distinctly recognizable, a larger-than-life character whose presence caricature served only to magnify. Item #007154

Price: $50.00

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